The Marble Army

51WMsxj5kIL._SX311_BO1,204,203,200_

By: Gisele Firmino
Paperback: 184 pages
Publisher: Outpost19 (March 1, 2016)
Reviewed by: Vickie Fang

It’s a cliche of historical fiction writing that if major historical events are portrayed, then the main characters must be the people who drove those events. Gisele Firmino’s charming new novel, The Marble Army, turns that cliche on its head, ignoring the dictators who oppressed the people of Brazil in the 1960s and focusing on the family that is left behind when a teenage boy is “disappeared” for his small protests against the military regime.  The regime itself  — its leaders, rivals, rationales — appear not as they would to historians, but as they would to the ordinary victims of the time, as a series of catastrophes, dimly resented, not even remotely understood.

The novel begins in a mining town where the narrator’s father works in the mines as a supervisor. The new regime sends “the General,” along with an armed guard, to oversee the change in ownership. The men, who have known nothing except mining, are lined up and given the  opportunity leave or to work for the new boss. It is far from an easy decision.

Some of the miners posed as if they were about to have their portraits taken, hoping their faces, their already nostalgic eyes, would tell each of their stories for generations to come. Some held on to their tools as if they were mementos they should never part with, while others hooked their thumbs through their belt loops, on a desperate attempt to look tough. After a day’s work in side the mine, the men were covered in black dust, creating the illusion of a uniformed army, or that of slaves, depending on who was watching.

This sense, of uncertainty, of the hope of strength and the uneasy realization that they may already be defeated, permeates the book. After their son disappears, the mother lives in hope, which looks very much like denial, while her husband takes the opposite approach. She would leave snacks outside his bedroom window, in hopes he would pass by some day and not resist. I’m pretty sure my father was convinced that he was dead, although he wouldn’t dare say it. It was an objectivity he always said ran in the Fonte family, but I saw it as hopelessness. There is a scene of near desperation in the Andes. Guerrilla training in the Andes. Except no one really knew what they were doing. Most days they just fought among themselves. Even something as innocuous as seeing a young soldier wearing a fairly commonplace Sao Jorge pendant sparks fear that the man has killed the missing son and taken his necklace. (I)t seemed pretty clear that he didn’t seek protection, but instead he carried it like a trophy, a proof of his dominance, a reminder of his power. 

In this world of dread and confusion, the family attempts to carry out what is left of their life. They move away from the mining town when the father leaves his job, then move again when their child disappears. The younger brother grows up, goes to college, and, like his parents, tries to hold on to his sanity by sacrificing  for the rest of his family. He also tries to emulate his brother by spray painting his brother’s message, They Can’t Shut Us Up, although what it is he or anyone else actually wants to say is not particularly clear. This is a book of great, inchoate yearning.

It is also a marvelously realistic and effective book of details. We know what the dirt near the mine smells like, where to get fresh parsley for dinner, the importance of wiping down the moist walls every day during the hot and humid period that begins in December. Most delightfully, we learn how a small, overlooked thing can lead to a marble army. Read about how Firmino incorporated scenes of daily life with her research into her nation’s past in this interview with Ellen Birkett Morris.

 

 

Advertisements

About Vickie Fang

Vickie Fang is a reformed trial lawyer who got an MFA from Queens and now writes full time. She has received first place awards from the Maryland State Arts Council and the Maryland Writers' Association. Her work appears in the Bellevue Literary Review, the Baltimore Review, Scribble, Fifty is the New Fifty, and, most recently, the anthology Bad Jobs and Bullshit. She is currently at work on a novel set in 8th century China.
This entry was posted in Uncategorized. Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s